Example: “That writer pitched a great take on the book adaptation.” Crucially important to get an assignment. TAKE – Your unique perspective on an idea. OPEN DIRECTING ASSIGNMENT (ODA) – An assignment for which the studio is actively looking for a director. OPEN WRITING ASSIGNMENT (OWA) – An assignment for which the studio is actively looking for a writer. You also pitch to get assignments.ĪSSIGNMENT – A job that involves doing a draft on a project the studio already owns, such as a rewrite or adaptation. With an original idea, the goal is usually to get someone to pay you to write the script so you don’t have to spec it.
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PITCH – A verbal telling of a movie idea. Can also be used as a verb, as in, “are you going to spec that idea or pitch it?” SPEC – A screenplay written on speculation with the goal of selling it when it’s complete.
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Crucial terms for the screenwriter to know… Here’s a list of more industry lingo for your perusal.
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See what I mean? (Wait, did someone say Script Magazine? Did that very same someone mean the publication that had nice things to say about that cutting-edge screenwriting book, Story Maps: How to Write a GREAT Screenplay?).Īnd, for the record, I’ve never heard anyone in the industry use the term teleplay, either, but maybe I just don’t hang in the hippest circles (or live in 1984). Check out the Google search for “script” - the first result is the Wikipedia definition for computer programming and the second is Script Magazine. And scriptwriter sounds too close to script writer, which can denote a computer programmer. One last thing: you’re not a “scriptwriter,” you’re a screenwriter. Reps tend to focus on either film or TV, but not both, so use your best online resources, like IMDbPro to educate yourself before you call or email. So, let’s say you finally get that successful Manager on the phone and they ask, “Can I read your best spec?” you better know if they want your single-camera sitcom or your sci-fi thriller feature! This is why it’s best to do your homework before you market your work, and compile a targeted list of agents, managers, producers and studios that make your type of script. That’s easy to understand, but keep in mind that a spec can apply to a feature (movie) script or to a television script (which are most often broken into two categories: sitcom or one-hour drama). Now to make matters a bit more complex, you have to know about the term “spec,” which applies to a screenplay or script that is written to be sold to an outside buyer without any upfront money paid to the writer i.e., it’s written on speculation, the hope that the thing will sell so the writer can stop slinging mochaccinos for a living.
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But a script may also apply to a stage play, a video game, a radio program or computer programming script, so make sure you’re clear in your pitch. To clarify…Ī screenplay is always written to be played on a screen - movie, television or computer screen. Or both.Īll screenplays are scripts, but not all scripts are screenplays. One of my pet peeves is when people say “my movie” when they’re talking about their screenplay.
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It’s always best to be as specific as possible when discussing your script/screenplay - we want to know if this is for a movie, a TV show, a short, a webisode or a stage play. The short answer is that they usually mean the same thing and are interchangeable, but it can get confusing when you’re talking about different mediums.
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